“First off, we want to make it comfortable, so it’s easy to watch. “When we approach 3D, we often think of what we call the three Cs,” says Whitehill. We seek to create a captivating and rewarding 3D experience that takes the audience even deeper into the emotional aspects of the film.”Īccording to stereoscopic supervisor Bob Whitehill, Pixar Animation Studios has a clear philosophy when it comes to 3D.

“Our goal always is to honor the original film. Joshua Hollander, who directed the 3D production of “Finding Nemo,” says that like lighting, camera angles, color or texture, 3D is a tool they use to support the story. It turns out that those tricks were a huge aide in incorporating the 3D effect. We had to introduce all these elements-light shafts, particulate matter, changes in the current-to remind the audience of that space.

Secondly, this movie is set in an environment that has a very definitive three-dimensional quality to it-being underwater is like being in a big cube, there’s space on all sides. “I can’t imagine a movie better suited for 3D,” says director Andrew Stanton of “Finding Nemo.” “Firstly, there’s something hyper dimensional about computer animation that’s interesting even when it’s on a 2D plane. But, it turns out, the pieces put into place so many years ago actually set the stage for a rather brilliant 3D realization. The underwater setting of “Finding Nemo” required a great deal of research and experimentation to achieve the spectacular look filmmakers wanted to capture in the original 2D film. Below the cut are even more details from Pixar on how the conversion was made:

Finding nemo 3d www bandicam com